We then moved on to the actual footage. However before we did anything with the actual footage we had to open up ‘Final cut’ and create a ‘Log bin’ where we would place the best shot from each angle. We then moved on in ‘Final cut’ to ‘cut’ shots together. To do this we basically moved the play marker until we reach a part in the sequence on the timeline where we wanted to begin the shot. After that we pressed ‘I’, for in, to show where we want to begin the shot and we moved on to the end and pressed ‘O’, for out. This would then mark out the shot we wanted. We then had to press on ‘Modify’ and created a ‘new shot’. This then placed the shot on the side bar. We then could edit the name of the shot so that when we came back to the shot we would recognize what the shot was. We placed the shot into the ‘Log bin’ and moved on to the rest of the shots.
By selecting the best shot we could remove the shots which were no good for our sequence and we could also develop the way the story was portrayed with more ease as the camera footage was not holding us back.

This is an example of 'Final Cut', showing the basic layout for editing shots.
When editing shots we made sure we used continental editing so that shots were placed together in a way that made sense. For example we wouldn’t have someone on set saying something to another person on set and then cut to a shot where the first person comes through a door into the room where they were talking in the previous shot. It just wouldn’t make sense.
As we slowly began to place shots in order, we made sure that they all came together to make sense and tell the story but also came together in away which made the audience feel something towards the character. We victimised one of the character on the set with a high angle shot to make the audience feel as if he is weak and a push over. Which is then put in juxtaposition against the low angle shots of the man who enters the set; the high angle shots made the audience feel as if the man was superior to the other one and also feel as if he was in charge.
As we finished our sequence of shots they came together with a follow which told the story without and excess footage.